iqukisß oikdhlf.a ;sr kdgl

Ñ;%mg i|yd

I.  fidaudfoaù  (l;=jrhdf.a ft;sydisl kjl:dj)

i;=re wdl%uK yuqfõ m,dhk j,.ïnd rc;=fuda .ssß ks>kaGhdf.ka wjuka ,oy. i;=re rcqg yuq jQ fidaudfoaúh keK n,fhka m;sj; /l.;a;dh. ;S% isxy,h tlafiai;a l< uy j<.ïnd l;d mqj;.

II. rKuË, (l;=jrhdf.a ft;sydisl kjl:dj )

wêrdcHjd§yq W!j fj,a,iai .sks,ñka ;%S isxy,h jekiSfï ls%hdj,sh werTQy. nQgdfõ rfÜrd<, lsjqf,af.or fudfydÜgd,, fmd,aj;af;a äx.srd,, fudKrú, lemafmáfmd< wd§ jQ foaYfm%Aó isxy, kdhlfhda ,la fork ksjy,a lr .ekSu i|yd iajlSh m%dK jdhqj fï ñys;,h u;u uqod y,y. 1818  kquqyqka isxy,hskaf.a ùr ldjHhh.

III.  lrÈhr  (l;=jrhdf.a kjl:djls)

weh uqyqog mek Èú kid .kafka Tyq ;kslru j. lsjhq;= ke;ehs fkd±ku fkdfõ. wehf.a fidfydhqrd Tyqf.ka m,s.kakg ;kkafkao tu i;Hh mila lr fkdf.ku fkdfõ. ta wkqj fndfyda wk;=reo úm;ao isÿùu lK.dgq odhS f,iska j<ld.; fkdyels ùh. tfia jqj Tyqf.a ;reK mq;%hdo wehf.a fidfydhqrdf.a ;reK ÈhKsho y÷kd .ekSu mqÿuhla fiau Nd.Hhlao ùh. lrÈh j<,af,a wm%udK ñksiqkaf.a l;d mqj;hs.

 fg,skdgH i|yd

I.  ñys;,h  (l;=jrhdf.a kjl:djls)

jeõ ne¢ rfÜ Èßh ñksiqkaf.a l;d mqj;. i|.sßmõj kñka úldYh ù fyd|u fg,skdgHh we;=¿j iïudk /ilska msÿï ,enQjls.

II.  rKuË, (l;=jrhdf.a ft;sydisl kjl:djls)

1818 § W!j fj,a,iafika werô, nQgdfõ rfÜrd<, lsjqf,f.or fudfydÜgd,, fmd,aj;af; äx.srd<, fudKrú, lemafmáfmd< wd§ jQ kquqyqka isxy,hskaf.a foaYfm%Aó wr.,h mdol lrf.k ,shejqKls.

III.  .sßkqjr (l;=jrhdf.a ft;sydisl kjl:dj)

fojk rdcisxy rcqf.a wiSñ; rKlduho ks,a,fò kqjr le/,a, we;=¿ tu hq.fha ye,yemamSïo, frdnÜ fkdlaiaf.a wd.ukh yd ú.ukho we;=,;aj ,shejqKls.

IV. msÉpu, iqj|hs  (l;=jrhdf.a kjl:djls)

1980 oYlfhys  Èú f.jQ w;solaI, wjHdc l,dlrefjl= Tyqf.a wUqorejkao iu. uqyqK ÿka wm%udK lïlfgd¿ ms<sn|jo,  kd.ßl lrkfhys ksis wksis :, úmdlhao, fï ish,a, w;ßka úys§ hk w;sYhska is;a.kakd iq¿ jQ fma%u jD;dka;hlao we;=,;aj ,shejqKls.

V. i;amqrudkh (l;=jrhdf.a w¨;au kjl:dj)

fm%Auh is,a,rg wf,ú lrñka Wor fmdaIkh ilid .kakjqkag wNsfhda.hls. wiSudka;sl jQ ndOl lïlfgd¿ yuqfjys jqj is|ì|,sh fkdyels wiSñ; wdorh iod;ksl nj mila lrkakg ,shejqKq fm%Au ldjHhls.

VI.  f.dÿreìu  (l;=jrhdf.a kjl:djls)

fndfyda ;ekays, fndfyda wh Wkqka f.dÿre lr .ekSu i|yd yUd hEu iudc pdß;%hla ;rug ù we;. i;Hh mila lr.;a Èkfhys wkq.; jQfjda ix;dmhgu m;afj;s. Ôjk wr.,h lgql jqjo .eñ Èúh w;sYhskau iqkaor jkafka mßirh ksidu muKla fkdj ksl,e,a fm%Auho uqiq jQ l,aysh.

VII. lrÈhr  (l;=jrhdf.a kjl:djls)

lrÈh j,,a, mqrdjg ksrka;rju w;=re wdka;rdh. bßishdj, m,s.ekSu, ffjrh, fl%daOh, tl fm,g ;rÕ jeÿKo lsisÿ n,fõ.hla yuqfõ Nø fh!jkfhys wiSudka;sl wdorh is£ ì£ fkdhkafkauh. ëjr l¾udka;fha ksr; jkakdjQ Èßh ñksiqkaf.ao .eyeKqkaf.ao l;d mqj;.

VIII. ievmyr (l;=jrhdf.a kjl:djls)

;udf.a mshdf.a urKhg uq,a jQfha ;ud fmï ne¢ fh!jksf.a fouõmshkau kï, uq,a nei .kakd WNf;dafldaál .eg¿j is;d.; fkdyels ;rïh. idOdrKh fjkqfjka fouõmshkag jqj tfrys ùug tä;r úh yelafla iqjyilska tla fh!jkshlg muKs. tfia jqj weh ;=, fouõmshka flfrys ffjrhlao ke;. fï tjka jQ W;am,df.ao, ;drlf.ao wiSudka;sl wdor wkaorhhs.

                                       SCRIPTS OF SUMANASIRI DASANAYAKA’S

      FILMS AND TELE DRAMAS

 

     SCRIPTS FOR

       FILMS         : -           (A) SOMADEVI     (HISTORICAL NOVEL OF  THE WRITER)     

                                                                          

                                   WHILE THE KING WALAGAMBA ESCAPES FROM

                                   PURSUING ENEMIES, GOT DISGRASER BY GIRINIGANTA 

                                   SOMADEVI WHO COUGHT BY THE ENEMY KING SHE

                                   PRESERVED  HER CASTITY BY HER WISDOM.

                            (B) RANAMANDALA (ALSO HISTORICAL NOVEL OF THE WRITER)

                                                                                    

                                 TROUPS OF THE BRITISH EMPIRE AFIRE DESTROYING  

                                   UVA WELLASSA LED THEIR TROUPS TO INVADE THE 

                                   WHOLE ISLAND.

                       

                                   BUTAWE RATE RALA KIULEGEDARA MOHOTTALA 

                                   POLWATTE DINGIRALA MONARAWILA KEPPETIPOLA 

                                   ALLTHEY TOOK THEIR LAST BREATH FOR THE SAKE OF

                                   FREEING THEIR MOTHER LAND.

                                   THIS IS THE PATHETIC STORY OF THE UNMIXED BRAVE

                                   AND PATRITIC SINALESE.

                                      

                                         (C) KARADIYARA (ANOTHER VERSION OF THE AUTHOR)

                                                                                         

                                  ……… SHE COMMITS SUICIDE BY LEAPING IN TO THE SEA

                                  BUT SHE KNOWS THAT HE IS NOT THE ONLY ONE WHO

                                  SHOULD BE RESPONSIBLE FOR THAT OF HER BROTHER   

                                  TRYS TO TAKE REVENGE FROM HIM BUT HE TOO KNOWS

                                  THE  WHOLE  TRUTH.

                                  BECAUSE OF THAT VERY REASON MOST OF THE    

                                  MISPORTUNES AND FATALITIES, UNPORTUNATELY

                                  COULD NOT BE AVOIDED

                                  EVEN THOUGH THE RECOGNIZION OF IT’ S YOUNG SON 

                                  AND HER BROTHER’S TENDERLY DOUGHTER WAS A

                                  SURPRISE AS WELL AS A GOOD CHANCE.

                                  THIS IS THE STORY OF THE INNUMERABLE LIVES OF THE 

                                  PIVOTAL CIRCLE OF THE HORIZON.

                                              SCRIPTS OF SUMANASIRI DASANAYAKA’S

TELE DRAMAS

 

SCRIPTS OF

TELE  DRAMAS :-

                                             (A) MIHITHALAYA    (NOVEL)

                                   THIS HAS BEEN ALREADY TELECASTED BY THE NAME OF

                                  “SANDAGIRI PAUWA” AND AWARDED AT THE TITLE OF

                                   BEST TELE DRAMA  AT THE TIME WITH FURTHER 20 

                                   THE (TWENTY) AWARDS.

                                             (B) RANAMANDALA (HISTORICAL)

                                   BASED ON THE NATIONAL FREEDOM STRUGGLE OF THE

                                   PATRIOTIC SINHALESE (1818)

                                             (C)  GIRINUWAR (HISTORICAL)

                              DEPICTING THE EXTRENE TALANT S AND THE TRIUMPHS

                                 OF THE KING RAJASINGHE THE 2^nd, AND THE INCIDENTS

                                  TAKEN PLACE DURING THAT ERA INCLUSIVE NILLAMBE

                                  RACKET AND ALSO THE ARRIVAL AND THE DEPARTURE

                                  OF ROBERT KNOX.

                                                             (D)  PICHCHAMALA SUWANDAI  (NOVEL)

                                 THIS HAS BEEN WRITTEN ON A STORY BASED ON A VERY

                                   AND GENIUS ARTIST WHO LIVED IN (805) EIGHTIES AND

                                   HOW HE SUFFERED A LOT OF DIFFICULTIES WITH HIS

                                   WIFE AND CHILDREN, AND ALSO GOOD AND BAD  

                                   RESULTS OF MODERNIZATION AND ALSO HEART

                                   WINNING LOVE STORY HAS BEEN INCLUDED.

                                              (E)  SATHPURAMANAYA  (LATEST NOVEL OF

                                                                                                                      THE WRITER)

                                  THIS IS A REAL CHALANGE FOR THOSE WHO MARKET

                                  THE LOVE VERY CHEAPLY THIS LOVE STORY TOO BASED

                                  ON HOW A TRUE LOVE BE PROTECTED BEFOR SO MENY

                                  DIFFICULTIES AND MAKE IT ITTERNAL.

                                           (F)  GODURUBIMA   (NOVEL OF THE WRITER)

                                                                      IN MOST INSTANCES, IT HAS BEFORE THE

                                  LIFE STYLE OF THE PEOPLE TO MAKE ATTEMPTS TO

                                  PURSUE AFIRE OTHERS AND DESTROY THEM BY ANY

                                  MEAN BUT WHEN THEY ACCEPT THE MISTAKE THEY

                                  HAVE DONE THEY REPENT BY THEMSELVES.

                                                   EVEN IF THE LIFE SURVIVAL IS TOO HARSH, THE 

                                  COUNTRY LIFE IS SO PLEASANTNESS OF THE

                                  ENVIRONMENT BUT ALSO THE IMMACULATE LOVE AND

                                  AFFECTION.

                                             (G)  KARADIYARA  (ANOTHER NOVEL OF THE WRITER)

                                   THERE ARE CALAMITIS AND DISTRESSES OF ALL KIND

                                   AND ALL ARROUND THE PIVOTAL CIRCLE OF THE

                                   HORIZEN EVEN IF THE HAPPINESS AND DISTRESS 

                                   SURPASS THE ENMITY AND HATRED COM ON THE WAY

                                   IN SUCCESSION THE MERCIPUL AND HEAVY  HEARTED

                                   YOUTHS CANNOT TURN AWAY THE LOVE AND

                                   AFFECTION.

                                              

                                             (H)    SEDA PAHARA    (NOVEL)

                                  IF THE  PARENTS OF THE FIENCEE OF WHOM HE LOVED

                                  SO MUCH WERETHE ACCUSED FOR HIS OWN FATHERS

                                  DEATTH   IT IS UNIMMAGINABLE THE COMPLICATIONS

                                  ARISEN FROM THAT.

                                 

                                   IT’S HUNDREDTH OF ONE OF A YOUTHFUL WOMA COULD

                                   STAND THE SITUATION ARISES FORM RESISTING HER

                                   OWN PARENTS BY REASONIG OUT THE REASONABLE.